Monthly Archives: December 2019

The Best Films of 2019

A good movie is more than its subject matter.

Many of my picks for the best films of 2019 are centred on subjects of varying interest to me, yet as a result of compelling characters and expert craft on display, I was transported by all of them due to the power of cinema at its best.

All of my favourites and honourable mentions are films I wholeheartedly love. Hopefully this list encourages you to seek these films out so that you can find the same joy I felt upon viewing and revisiting them over the past 12 months.

Honourable Mentions

Arctic, Charlie SaysChild’s Play, Crawl, Dark WatersDora and the Lost City of Gold, Fyre / Fyre FraudGood Boys, Greta, The Guilty, Happy Death Day 2U, Knives OutLong Shot, Midsommar, The Nightingale, Parasite, The Peanut Butter Falcon, Official Secrets, Where’s My Roy Cohn?

*Being based in Australia I haven’t been able to see many of the leading awards contenders set for release in the new year, while some of my picks received limited theatrical runs early in 2019 despite being released internationally the previous year.


 10. The Irishman

After years of speculation surrounding its production and the paradigm shift of distribution via streaming, Martin Scorsese’s much anticipated latest is a triumph of storytelling and a showcase for three outstanding performances. Running close to three-and-a-half hours long, The Irishman is captivating for the duration as Robert De Niro recounts his life of crime with no one left to mourn him.

The Irishman


9. Toy Story 4

Of all the films I saw in 2019 this one elicited the strongest emotional response. Having experienced significant changes in my life upon its release, the opportunity to reconnect with the characters I had grown up with reduced me to tears on multiple occasions. While not reaching the heights of perfection as its predecessor, Toy Story 4 is a loving reminder to continue embracing change to infinity and beyond.

Toy Story 4


8. Dolemite Is My Name

Spending much of the decade away from the Hollywood spotlight, Eddie Murphy shines as Rudy Ray Moore – a struggling artist pursuing stardom as an outsider. Sharing a lot in common with James Franco’s The Disaster Artist, Dolemite Is My Name is a hilarious combination of profanity and warmth that allows Murphy to light up the screen in a role befitting his legendary status.

Dolemite Is My Name


7. Uncut Gems

Thrilling from start to finish – the Safdie Brothers follow up to Good Time ups the tension stakes while showcasing one of modern cinemas most polarising figures. Much-maligned – often deservingly so – Adam Sandler is phenomenal in Uncut Gems as a jeweller with a debilitating gambling problem. Such is the quality of Sandler’s performance it is hard to imagine this film without him.

adam_sandler_in_a24s_uncut_gems


6. John Wick: Chapter 3 – Parabellum

Had John Wick: Chapter 3 – Parabellum been able to sustain the thrilling violence of its opening 30 minutes it would be the best film of the year. Picking up with Keanu Reeves’ titular character on the run from colleagues seeking to collect the price on his head, the third instalment of Chad Stahelski’s decade-defining franchise expands the lore of international assassins with an array of inventive fight sequences that pack a serious punch.

John Wick - Chapter 3 - Parabellum


5. Ford v Ferrari

As someone who finds the “sport” of car racing tedious at best, I have no qualms in saying Ford v Ferrari is a brilliantly entertaining film. Containing some of the best car racing sequences ever put on screen, the great strength of James Mangold’s film is the human interplay between Christian Bale and Matt Damon as they navigate the high-octane tension that exists between art and commerce.

Ford v Ferrari


4. Booksmart

Much like the best work of Judd Apatow and Kevin Smith before her, the reason why Olivia Wilde’s Booksmart works is the heartfelt bond between its characters. Funny, tender and recognisable, the dynamic between Beanie Feldstein and Kaitlyn Dever is lovely as two over-achieving high school seniors coming to the end of an era.

Booksmart


3. Blinded By The Light

There have been a number of recent films about iconic musical artists, but none have captured an artist’s spirit quite like Blinded By The Light. As a loving tribute to Bruce Springsteen, the musical flavour infused into the story of a Pakistani teenager yearning for a life beyond his hometown in Thatcher’s Britain evokes the feeling of “The Boss” better than any traditional biopic could hope to achieve.

Blinded By The Light


2. Fighting With My Family

Many great sports movies succeed by charting the rise of an underdog. Florence Pugh – the breakout star of 2019 – delivers on that well-worn formula as the youngest in a loving family of aspirational wrestlers; however the unsung hero of Fighting With My Family is Jack Lowden as the older brother. There is great tenderness to Stephen Merchant’s directorial debut – reminiscent of Rudy – in large part thanks to Lowden whose pained supporting role as a young man reconciling the heartache of a childhood dream that will never come to pass complements the eventual triumph of his sister on the WWE stage.

Fighting With My Family


1. Minding The Gap

Given a limited Australian release early in 2019, Bing Liu’s Oscar nominated documentary stayed with me all year. Telling the story of three men coming into adulthood having grown up under volatile circumstances, the way in which Minding The Gap presents skateboarding as a source of much needed solace for the trio is beautifully graceful. Boasting my favourite film score – courtesy of Chris Ruggiero and Nathan Halpern – and acclaimed editing that skilfully conveys the heartache of feeling trapped along with the liberating feeling of skateboarding in equal measure, Minding The Gap stands above all others as my personal pick for the best film of 2019.

Minding The Gap


Check out other instalments in my 2019 YEAR IN REVIEW:

The Worst Films of 2019

The Best Songs of 2019

These are the ten songs that I’ll be voting for in the Triple J Hottest 100 of 2019.

Voting is open now until 20 January, 2020.

The Hottest 100 will countdown from 12pm (AEDT) on Saturday 25 January, 2020.


10. With Or Without – Tired Lion


9. You’re Not The Only One – Sam Fender


8. Mistakes – Fergus James


7. Old Town Road (Remix) – Lil Nas X ft. Billy Ray Cyrus


6. Shutting Down Our Town – Jimmy Barnes


5. Front Row Hustle – DZ Deathrays ft. Briggs, Jesswar & Trials


4. Stones – OK Moon


3. Better Than Ever – Flight Facilities ft. Aloe Blacc


2. The Borders – Sam Fender


1. Back To Life – Fergus James


Check out other instalments in my 2019 YEAR IN REVIEW:

The Worst Films of 2019

The Worst Films of 2019

A film can be bad in many different ways.

Whether it fails to meet expectations, features uninteresting characters, boasts a poor script or – among many other reasons – is ill-conceived from the outset, the end result is almost always a negative viewing experience.

In ranking the films I enjoyed the least this year, there are those I found disappointing (while still having moments of potential and pleasure), films regarded as “so bad they’re good”, and the outright worst I saw in 2019.


 Disappointments

The Beach Bum

Matthew McConaughey stars as a celebrated poet named Moondog who lives a life of hedonism in the Florida Keys. If director Harmony Korine intended The Beach Bum to convey how a life of hedonism is numbingly dull then he succeeded with flying colours. At just over 90 minutes the film feels significantly longer as Moondog experiences a series of misadventures that are occasionally funny (the Martin Lawrence shark sequence) but overwhelmingly tedious.

The Beach Bum


Gemini Man

Gemini Man sees Ang Lee more invested in technology than a compelling story in a sci-fi film that pits Will Smith against his younger clone. With action sequences that aren’t particularly fun and sci-fi elements that lack the depth of better films, the novelty of the high frame rate only serves to highlight that no amount of technology can compensate for a forgettable movie.

Gemini Man 1


Fast and Furious Presents: Hobbs & Shaw

As someone who enjoys the over-the-top action of the Fast and Furious franchise, this spin-off should have been great. Instead it has Dwayne Johnson and Jason Statham peacock for well over two hours in a series of action set pieces that have zero tension. A Fast and Furious movie can be a lot of things, but I should never be bored as I was during Hobbs & Shaw.

Hobbs and SHaw


Stuber

Kumail Nanjiani is a good comedic actor. Dave Bautista can be great in roles that utilise more than his physical presence. Iko Uwais is arguably the best action star working today. All these elements should have made for a great movie – instead Stuber is an unmemorable buddy cop film that fails to utilise the potential of its three leads.

Stuber


Terminator: Dark Fate

After so many attempts to recapture the perfection of the first two films, Terminator: Dark Fate is proof that sometimes the best thing a franchise can do is to die. The action doesn’t have any weight, the continued changing of the timeline is to the detriment of earlier films, and while 72-year-old Arnold Schwarzenegger is still great as the iconic character, at this point I just want the series to stop.

Terminator Dark Fate


WTF?! (“so bad, they’re good“)

The Fanatic

Declared the worst film of the year upon its August release, the hype surrounding Limp Bizkit frontman Fred Durst’s latest offering ought to be experienced if for nothing else than John Travolta’s wild performance. There are pleasures to be had in The Fanatic, but pleasure and quality are two very different things.

The Fanatic


 The Worst Films of 2019

6. Men In Black: International

If there is one thing that makes me dislike a film more than anything else, it’s boredom. For close to two hours director F. Gary Gray (who is capable of so much better) elicits few laughs in this sequel / reboot to Men In Black while alluding to character details that go nowhere. Tessa Thompson occasionally provides glimmers of a better movie, but those moments are few and far between.

1233076- Men in Black


5. Murder Mystery

Since signing a distribution deal with Netflix five years ago, Adam Sandler has starred in a succession of Happy Madison Productions that have given little hope of the iconic comedic actor ever returning to form. Reteaming with Jennifer Aniston for a film that makes Just Go With It look like Happy Gilmore, Murder Mystery fails to elicit a single laugh. As someone who grew up loving many of Sandler’s films I still hold hope that one day he will deliver another comedy that stands alongside his funniest work.

Murder Mystery


4. Polar

The opening seconds of Polar set the tone for the charmless trash that plays out for the ensuing two hours. Coming across as a cheap imitation John Wick, Mads Mikkelsen stars as an assassin pursued by his former employer in a performance deserving of a much better film. This is a gratuitously ugly piece of work that sees Matt Lucas give the most embarrassing performance of the year.

Polar


3. After

For as maligned as Twilight and Fifty Shades of Grey were as cultural phenomenons, I can understand how the toxic romances masked in supernatural and sexual flavours appealed to some. After offers nothing memorable in its depiction of a good girl falling for a complete asshole. For so much of the running time nothing happens and when it is finally revealed that the leading hunk is in fact a total shithead, I was none too pleased to have wasted my night on a glorified piece of fanfiction.

After


2. Unplanned

Putting aside the film’s not-at-all subtle propagandist views, Unplanned is poorly made and mind-numbingly dull in the way pro-life talking points stand in for interesting characters. While I personally abhor the film’s politics on women’s reproductive rights, the cartoonish Planned Parenthood director, played by Robia Scott, is hilarious in much the same way Kevin Sorbo had me howling as an atheist professor in God’s Not Dead. Of all the films on this list, Unplanned is the only one I would want to revisit solely for Robia Scott.

Unplanned


1. The Lion King

The “live-action” version of The Lion King has no artistic reason to exist. As a remake of the 1994 animated feature, Jon Favreau’s adaptation is inferior in every way, especially in how the new elements eliminate the heart that made the original so beloved. The decision to portray the world in a photorealistic manner makes it impossible to distinguish many of the animals – and most damningly – connect with them as characters. It feels rather reductive to say The Lion King exists solely to make money, but I feel very strongly that if not for the corporate greed of Disney to capitalise on nostalgia this film would not exist.

The Lion King


Check out other instalments in my 2019 YEAR IN REVIEW:

The Best Films of 2019